Tim Winton’s “Breath” as exemplary lyricism and storytelling

Because I am something of a media moron, I just found out that Tim Winton’s short novel Breath has been made into a movie directed by Simon Baker and was released on June 1.

In an interview for FilmInk Magazine, Baker says he worked to maintain the lyricism of the novel.

I want to see this film, to see how it translates from the written word. Apparently, Winton is quite well known in Australia. I think he deserves a larger American audience—like rock-star status.

Use “Breath” as a Story-writing Lesson

If you want a painless—in fact, glorious—writing lesson from a master, read this book. Tightly-controlled, beautifully rendered—both in emotion and atmosphere—Breath has it all.  I reviewed the novel back in 2012 on my School Library Lady blog. Here is the review in its entirety. As I wrote it for a school blog, I mentioned that some of the story’s action is for a mature audience—so FYI, I was thinking of 13-14 year olds. There is nothing in the novel that would give an adult pause.

Breath by Tim Winton 

Which risks are worth it? How do you challenge yourself in a way that makes you grow as an individual? That can make you feel alive and so adrenaline-fueled that every day you’re ready and waiting for a new adventure? How do you keep from stepping over that invisible line where you are challenging death itself?

Bruce, nicknamed Pikelet as a teen, is a paramedic as an adult. As the novel opens, he has arrived on the scene of what appears to be a teen suicide, a hanging. But he knows better.

When they meet Sando, friends Pikelet and Looney don’t know that he is a big wave surfer, well-known in some places and sometimes appearing in surf magazines. They are Australian boys who have recently discovered the sport. They’d always enjoyed the water and holding their breath at the bottom of the river. But the ocean is something different. They love it and will do whatever it takes to have the chance to ride waves. They take up odd jobs in order to buy equipment. Looney’s father is neglectful and abusive, so he can go out anytime without much trouble. But Pikelet must lie to his older, concerned folks in order to get away and challenge the waves since his father fears the ocean for reasons he keeps secret.

Self-serving Adults=Danger for Kids

Sando decides to mentor the boys in surfing bigger and more dangerous waves. They are flattered by his attention, and learn that they have to ignore the snide comments Sando’s wife, Eva, makes about them and their relationship to Sando. She understands that they are there, at least in part, to feed his ego.

Eva has a limp. Yet why she limps and why she is so angry is a secret—and uncovering it is dangerous for Pikelet. As she opens herself up to him, he finds himself trapped by her adult yearnings. While he intuits how inappropriate she is in taking him into her confidence, Pikelet is also smitten with her.

Loonie is aptly named. He will try anything and for him, death-defying challenges are a way to show that he is better than Pikelet, more of a man. But Pikelet has a better sense of self-preservation. He loves a challenge, but knows when his chances of survival aren’t so good.

This slender book is so beautifully written, such a wonder. I was hungrily reading it, hoping to recommend it to all teens. As I got to the final pages, and read about Eva and her way of recreating danger and the adrenaline-stoked high of the fear that accompanies it, I knew that Breath is for mature teens only. Yet it deals so well with the questions of an ordinary life, of facing challenges, and even of maintaining breath, I couldn’t help but hope that others will have the chance to enjoy it.

Read about Winton and “Breath” Elsewhere

Note—inserting a little update here: LARB has a nice interview with Winton about his writing process and influences: